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CANADIAN MUSIC INDUSTRY GROUPS CALL ON GOVERNMENT TO MAKE ANTI-PIRACY MEASURES A PRIORITY IN UPCOMING THRONE SPEECH

Urgent action needed as rampant digital piracy and counterfeiting undermine music in Canada

CNW

Four leading music industry organizations, representing Canadian artist managers, music publishers and record labels of all sizes, today urged the federal government to make copyright reform and other intellectual property rights measures priorities in its upcoming Speech from the Throne.

 

The Canadian Independent Record Production Association (CIRPA), Canadian Music Publishers Association (CMPA), Canadian Recording Industry Association (CRIA), Music Managers Forum (MMF) Canada are united in the call for government action.

 

"Canadian music companies are developing some great new talent," said Duncan McKie, President and CEO, CIRPA. "But selling recordings in most cases does not provide sufficient income to support new artists, so there are fewer opportunities for them today."

 

McKie added, "Large scale unauthorized downloading continues to cannibalize the legitimate marketplace. And contrary to what some have suggested, the legitimate sales of digital tracks are not making up the difference."

 

The four organizations, which together represent the vast majority of Canadians who work in music, also seek to explode the myth that piracy and counterfeiting affect relatively few industry players, and that most artists, smaller labels and others are otherwise thriving.

 

"Faced by file sharing of their work on an unprecedented scale, many of the Canadian artists we represent - and the many people who work with them - are finding it increasingly hard to earn even a modest living from music," said Brian Hetherman, President of the Music Managers Forum and President of Cerberus Artist Management and Curve Music. "The Throne Speech marks a new chapter in the government's agenda, and that agenda must include intellectual property rights."

 

"We need clear legislation immediately to protect the right of Canadian music creators and copyright owners to be fairly compensated for their work in the digital world," said Catharine Saxberg, Executive Director, CMPA. "The vitality of Canadian culture is undermined when it becomes tougher to fulfil the dream of a career in music."

 

The organizations behind the Throne Speech call join a growing chorus of public and private sector voices demanding decisive government action on IP rights. These include the Canadian Chamber of Commerce, Canadian Anti-Counterfeiting Coalition, Entertainment Software Association and Canadian Motion Picture Distributors Association, among others. This spring, reports by two Parliamentary committees - Industry, Science and Technology (INDU), and Public Safety and National Security (SECU) - joined previous Heritage Committee calls for government reforms.

 

In 2007 to the end of July, wholesale sales of CDs, music DVDs and other "physical" music formats fell 20 percent to $183 million, from $230 million a year earlier, according to CRIA figures, which represent the vast majority of music sales in Canada. This follows a 48 percent drop in retail sales of physical formats since the advent of widespread unauthorized file-swapping in 1999 and the proliferation of CD and music DVD counterfeiting in recent years (from $1.3 billion in 1999 to $679 million in 2006).

 

Sales of digital music - downloads, subscription services and mobile music - comprised an estimated 6 percent of the Canadian market in 2006 – far short of the level needed to replace lost physical sales. In contrast, digital sales in the US, where robust copyright laws and other measures against piracy are in place, comprised 17 percent of the total market last year. There, per capita digital music sales are nearly four times those in Canada.

 

Faced with the continued impact of piracy and counterfeiting on its sales, Canada's music industry seeks a Throne Speech that includes specific plans for tougher laws and enforcement in line with the recommendations of the INDU and SECU committees. These include ratification of the World Intellectual Property Organization (WIPO) Copyright Treaty and the WIPO Performances and Phonograms Treaty; legislation imposing liability on individuals who distribute pirated digital works and who manufacture or distribute circumvention devices for commercial gain; new criminal provisions making it an offence to make, import and sell counterfeit goods; and adequate resources for police and prosecutors to address counterfeiting and piracy.

 

Such measures would bring Canada in line with almost all of its major trading partners in the developed world. Governments in countries like Germany, the UK and the Netherlands have proven that better protection of IP rights not only is doable, but also is effective in stemming counterfeiting and piracy. Plus, as the Industry Committee pointed out in its report, the adequate enforcement of IP rights "facilitate(s) and encourage(s) the pursuit of innovation" - a fundamental building block of economic growth and prosperity in the 21st century.

 

"By now, the solutions to counterfeiting and piracy are becoming as well understood as the problems," said Graham Henderson, President, CRIA. "For the sake of artists and everyone trying to earn a living in music, and the goal of a bright future for Canadian music, it is imperative that the Government signal its intention to act on IP rights in the Throne Speech."

 

About the Canadian Independent Record Production Association

 

The Canadian Independent Record Production Association is the trade organization representing the independent sector of the Canadian music and sound recording industry. For 30 years CIRPA has been the collective voice of independent music in English-speaking Canada.

 

About the Canadian Music Publishers Association

 

Since 1949 the Canadian Music Publishers Association (CMPA) has ensured the views of music publishers working in Canada and its members are heard. It is our mission to promote the interests of music publishers and their songwriting partners through advocacy, communication, and education.

 

About the Canadian Recording Industry Association

 

The Canadian Recording Industry Association (CRIA) promotes the interests of Canadian record companies.

 

About Music Managers Forum Canada

 

The Music Managers Forum is an international not-for-profit association that was founded in 1992 in the U.K. Its formation was intended to give managers an opportunity to discuss, educate each other and create a much-needed voice within the industry. Inspired by the UK example, the MMF Canada was launched as an ad-hoc organization in 1994, and was federally incorporated as a not-for-profit association in 2000.

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